“In Quiet Geography, Michael C. Keith fashions a multitude of miniature worlds, and in each one he finds the perfect narrative distance and tone of voice to infuse the comic with the dark and the dark with the comic. Unique, yet intentionally ambiguous, these micro-stories are shape-shifters. Chameleon-like, Keith’s creations change color and reveal different patterns so the reader may respond differently each time he or she re-reads them. These wry, richly detailed flash fictions repay each reading by offering gem-like myriad angles of reflections.” —Allen Wier, author of Tehano and Late Night, Early Morning
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“Quiet Geography’s cleverly dark humor stays lively throughout. It normalizes the strange and estranges the normal. There are cynical vibes, but they’re not overwhelming, besides, as someone (Seneca?) said, cynics are really idealists at heart. It’s good to know Michael C. Keith is out there demonstrating the delights of idealistic cynicism. This is one of the best reads I’ve had this year.” —Betesy Delmonico, editor-in-chief Golden Antelope Press
In the tradition of the classic micro-fiction of renowned writer Lydia Davis, this singular collection explores the full range of human endeavor and behavior in all their varied and discrete (and not so discrete) manifestations. Keith’s mini-stories, perhaps more appropriately called prose/poetry because of their lyrical nature, take the reader to places only a truly vivid and original imagination could. Often disquieting in theme and plot, the pieces within these covers invariably contain meaningful truths and lessons while managing to accomplish this in a witty and affecting manner. Order from